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Tuesday 23 July 2013

Women Dresses online

Women Dresses online Biogarphy

Source(google.com.pk)
The real surge toward donning hijab came with Iran's revolution. Women were seen as key elements in achieving changes in public morality and private behavior. Unveiled women were mocked, called unchaste "painted dolls," and were punished if they appeared in public without proper covering. In countries beyond Iran in the 1970s, demonstrations and sit-ins appeared over opposition to the required western style dress code for university students and civil servants.Today
With the trend to revive or create Islamist movements, women have continued to take up the modest covering of the hijab. Within women's groups the debate over its use also continues. Some progressive groups, such as the Women's Action Forum (WAF) in Pakistan, explicitly condemn all attempts to impose a dress code on women. They argue that those who do not conform to it are stigmatized. They say that it denies women the freedom to decide on their own appearance. Women's groups endorsing a strict interpretations of Islam, on the other hand, aggressively promote dress codes, putting out information sheets listing its requirements...
For women wishing to pursue professional and public social lives, wearing hijab allows freer movement outside the confines of the home. In leaving their homes, this upwardly mobile group is actually defining new roles for themselves, not defending traditional ones. In the same way, students who take up hijab are able to move into areas that were once closed to them, such as attending classes, discussion groups and religious activities. Wearing conservative clothing protects them from sexual harassment and objectification. An Iranian school girl states, "We want to stop men from treating us like sex objects, as they have always done. We want them to ignore our appearance and to be attentive to our personalities and mind. We want them to take us seriously and treat us as equals and not just chase us around for our bodies and physical looks."
The Gown: popular until the close of the 15th century, this dress was a ground-length, one-piece affair that succeeded best in concealing women's shapelier portions rather than showing off their figures. It conceded to womanly shape only through a girdle that tied at the waist of the wearer. In the early part of the 19th century, it enjoyed a resurrection in a repeated movement towards classical values and traditions in England. Good recreations of early 19th century gowns can be seen in the movie adaptations of novels such as Jane Austen's Sense & Sensibility and Pride & Prejudice.The Closed Dress, Two-Piece Style: This dress was divided into two parts -- a skirt and a bodice. It was created sometime around the Renaissance period, but was most commonly worn during the Elizabethan times. Since the skirt was separate from the upper part of the dress, dressmakers were able to add more form to it via pleats and gathers (folds in the cloth that bend it in a particular direction.) Examples of this type of garment can be found in Shakespearean plays and movie productions, the most recent of which is Shakespeare in Love. (Cunnington, "The Art of the English Costume" pp. 85-The Open Dress, Two-Piece Style: Also found in Elizabethan times, these dresses, characterized by a robe-like overdress over one or more underdresses and skirts, were initially considered "risque" because of their resemblance to teagowns. Teagowns, which were loose, open robes fastened with cords or ribbons, were used by pregnant women and considered scandalous on young, unmarried ladies. However, the versatility of the garment (mix and matching) as well as the additional acreage of cloth that could be frilled, laced, and otherwise decorated increased its popularity. This style lasted well through the Classical Baroque Period (early-mid 17th century, probably best known for the frilly, stiff circular collars and formal, equally stiff clothes that both men and women wore at court) and influenced the dresses of both the Rococo and Neo-classical periods of the 18th century. (Cunnington, "The Art of th

Women Dresses online